You are required to read and agree to the below before accessing a full-text version of an article in the IDE article repository.

The full-text document you are about to access is subject to national and international copyright laws. In most cases (but not necessarily all) the consequence is that personal use is allowed given that the copyright owner is duly acknowledged and respected. All other use (typically) require an explicit permission (often in writing) by the copyright owner.

For the reports in this repository we specifically note that

  • the use of articles under IEEE copyright is governed by the IEEE copyright policy (available at http://www.ieee.org/web/publications/rights/copyrightpolicy.html)

  • the use of articles under ACM copyright is governed by the ACM copyright policy (available at http://www.acm.org/pubs/copyright_policy/)

  • technical reports and other articles issued by M‰lardalen University is free for personal use. For other use, the explicit consent of the authors is required

  • in other cases, please contact the copyright owner for detailed information

By accepting I agree to acknowledge and respect the rights of the copyright owner of the document I am about to access.

If you are in doubt, feel free to contact webmaster@ide.mdh.se

Creative Space in Contemporary Swedish Moving Image Production

Research group:


Publication Type:

Journal article

Venue:

Journal of Integrated Design & Process Science

Publisher:

Society for Design and Process Science

DOI:

10.3233/jid-2012-0003


Abstract

Production of moving images is turning completely digital. This leads to new possibilities and new constraints for creativity within film and TV production chains.This paper describes professionals’ current comprehension of the consequences of the shift from celluloid to digital technologies, within the Swedish Moving Image Industry. New technologies bring new workflows, new design processes and new constraints.We aim to illuminate factors that affect design creativity in digital moving image production, by addressing questions about production related responses to the digital turn as well as the affects of such responses on creativity.Inspired by Ingar Brinck’s creativity theories (1999, 2007) we view aesthetic problem solving as a cognitive process and suggest creative spaces to be the critical phenomenon to manage. We also use organization theories, particularly the work of Katherine Miller (2011) to explain why creativity ought to be a primary management concern.The empirical material used is semi-structured interviews with management personnel in Swedish moving image production companies. Outcomes include that the variety of digital formats available today is hard for crafts people to overview. This has brought costly workflow constraints that largely limit creativity.We suggest a pre-production file format check-list as a tool to support design management.

Bibtex

@article{Swenberg2743,
author = {Thorbj{\"o}rn Swenberg and Pelle Eriksson and Yvonne Eriksson},
title = {Creative Space in Contemporary Swedish Moving Image Production},
month = {October},
year = {2012},
journal = {Journal of Integrated Design {\&} Process Science},
publisher = {Society for Design and Process Science},
url = {http://www.ipr.mdu.se/publications/2743-}
}